CODA refers to “child of a deaf adult,” and the film’s protagonist, Ruby, played winningly by Emilia Jones, is just such a person, the only hearing member of her deaf family, made up of father Frank (Troy Kotsur), brother Leo (Daniel Durant) and mother Jackie (Marlee Matlin). The family owns and runs their own fishing boat in rough-and-tumble Gloucester, Massachusetts, and they rely heavily on Ruby to be their connection to the world, as she interprets for them everywhere. But Ruby, a senior in high school, has pursuits and desires of her own, such as the crush on her class-mate Miles (Ferdia Walsh-Peelo), and her passion for singing, which makes her join the school’s choir club. Encouraged to apply to the prestigious Berklee College of Music by her supportive music teacher, played by Eugenio Derbez, Ruby must decide if she will pursue her passion or stay behind to support her family, whose business she fears may not survive without her.
Month: August 2021
Annette
Timing is everything, because now, less than two months after the release of The Sparks Brothers in theaters, comes Annette, a new musical from visionary French director Leos Carax (Holy Motors), written by the Mael brothers, featuring more than 40 original songs by the duo. Nearly completely sung-through, Annette stars Adam Driver and Marion Cotillard as a celebrity couple who are dealing with the strains on a marriage that fame and success can bring. The only other significant cast member is Simon Helberg, who plays an admirer of Cotillard’s character. The rest of the cast is an ensemble, a chorus, if you will, who wander in and out, commenting and reacting to the story. Nothing about this film is cinematically traditional, it feels experimental while still maintaining a narrative structure. Is it weird? Yes. Is it amazing? Also yes.