The Father

Sony Pictures Classics
Broadway may be shut down, but we have had no shortage of plays and musicals on the big (now little) screen this Oscar season. Stage adaptations have been everywhere, from The Prom to The Boys in the Band and the strong Oscar players One Night in Miami, Ma Rainey’s Black Bottom, and Pieces of a Woman. There are inherent limitations in bringing a play or musical to the screen, and some are more successful than others in being able to widen the scope and make an audience feel as if they are in a fully-realized world, instead of a closed set with three walls.

It is perhaps the strangest then, that the most successful stage-to-screen adaptation this season is from a first-time director, a playwright who is actually making their directorial debut. Florian Zeller is a French playwright who has had three of his films adapted for the screen, all of them in French, but he has never directed any of his own play adaptations until now, with The Father, starring Anthony Hopkins and Olivia Colman. So not only is Zeller contending with making a film in English instead of French for the first time, but he’s also learning on the job how to tell a story that was designed to be told in one closed location in a way that doesn’t make the film audience feel restricted. While all of the other stage-to-screen films this season have struggled with this expansion of their world (with the exception of The Prom, which had other problems), The Father cracked the code, as Zeller has delivered not only the best film adaptations of the season, but one of the most effective, moving and, dare I say, cinematic films of the year.

Read more

I Care A Lot

While this may not be the perfect time to watch a movie about terrible people doing terrible things to innocent people, it’s always the perfect time for a movie as fun and twisted as I Care a Lot is. Cynical in all the most entertaining ways, this is a film that hollows out your soul and fills it with a mouth-watering blend of cruelty, revenge and dark comedy, wrapped in a camp coating that will leave your mind blown and your gut ravaged. And you’ll love every second of it.

Written and directed by J Blakeson and starring the deliciously glorious Rosamund Pike as Marla Grayson, a ruthless professional guardian who takes advantage of elderly people in order to swindle them out of house and home, I Care A Lot is a black comedy in every sense of the word. There are times you have to really look for the humor, but it’s there, mostly embedded in the “she can’t really DO that, can she??” elements that are scattered throughout. Even as she does everything by the book and claims to act within the boundaries of the law, Marla is still a self-proclaimed predator who cons every one of her elderly clients into financial and physical submission, never above bribing and threatening.

Read more